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The filming techniques, acting, and editing all reveal to the viewer that Buck’s show has changed significantly—it’s become more commercialized. The voiceover states that “maybe this is where Buck belongs,” but by movies’ end, we discover that the opposite is true. This scene helps the viewer understand why Buck doesn’t belong. The cinematography helps the audience see the venue in all its glamour—the neon green laser lights, the classy table seating, the bright red curtains, the gold tinsel hanging off the stage, the decorative flames, and the blue velvet curtain that gives off a bright sheen; this is clearly a place of high-class showbiz. The montage that follows the introduction demonstrates that Buck can indeed entertain a crowd in this environment. The low angle shots suggest that Buck is in control, and the reaction shots of the audience show us that the crowd is wildly entertained.  Yet, the venue, in its flashiness is not the only thing that has changed. Buck’s show has changed as well. The montage includes traditional magic tricks with scarves and doves, and they sure are crowd-pleasers, but they aren’t part of Buck’s old routine.  His hypnosis act also relies on lewd humor, instead of cornier, but innocent work. The upbeat music in the montage and the crowd’s reaction both suggest Buck can blend in here, but the film soon raises the question: does Buck belong here? The last shot of the scene shows the Vegas bookers, slightly out of focus, praising the success of the show. This foreshadows his failure, but also reminds the viewer that never before was Buck’s success determined by how well he entertained, but how well he connected with his audience.